I’m always up for an endless debate that paralyzes my Twitter feed into repetitive stasis for 12+ hours at a time, and accordingly braced for one last night upon seeing that Twin Peaks: The Return had landed at number two on Sight & Sound‘s annual year-end poll. (Minutes after I published this, it popped up at number one on Cahiers du Cinema‘s list as well.) Pedantic disputes about Category Fraud — i.e., if a performance is lead or supporting for awards purposes — have never been my fa...
I’m always up for an endless debate that paralyzes my Twitter feed into repetitive stasis for 12+ hours at a time, and accordingly braced for one last night upon seeing that Twin Peaks: The Return had landed at number two on Sight & Sound‘s annual year-end poll. (Minutes after I published this, it popped up at number one on Cahiers du Cinema‘s list as well.) Pedantic disputes about Category Fraud — i.e., if a performance is lead or supporting for awards purposes — have never been my fa...
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